A-ha! “untitled” indeed. Alright, this is about as amusing as the old fake answering machine message where the person sounds like they’ve answered the phone, but about 30 seconds into it, you realize you’re talking to a machine, and you feel both embarrassed and frustrated, which presents itself in the recorded message that you end up leaving. Well, few people have answering machines anymore, so it’s not likely you would run into that particular comic gem. Likewise, the “untitled” post is probably reminiscent to the vaudevillian stage, no longer relevant and altogether unoriginal.
Originality might be overrated; it’s refreshing sometimes to hear someone’s interpretation of an old song or a reimagining of a classic movie. But after a while it does get old. I mean really old. Take, for instance, the film “Ben-Hur”, currently in theaters, which is a remake of the 1959 classic starring Charlton Heston in the titular role. Only, that was a remake of the silent 1925 film “Ben-Hur: A Tale of the Christ“, starring Ramon Novarro. I found it on Youtube, but I won’t link it here because it’s likely to be taken down. But, since this film is over 90 old, it could be considered in the public domain. Both the 1925 and the 1959 films were monumental achievements, especially considering the astounding number of extras, horses and other animals, not to mention the massive sets, the chariot races, as well as all the costumes and other scenery. Nowadays, many movies incorporate CGI – computer-generated imagery – to produce the effect of crowded streets or a naval battle. Back then, you had to hire hundreds of people and build ships, or at least model ships.
Stories like that of Judah Ben-Hur, or Dorothy Gale and the Wizard are bound to be retold, and retold. Sometimes people are not even aware they are watching a remake. In fact, the original “Ben-Hur” was filmed in 1907. That film is surreal in that it seems to have been filmed with a single stationary camera, and there were no closeups or cut-aways. Early days. Even with all these remakes, and all the repackaging of other iconic figures, like Beau Geste or Figaro, lack of originality is rarely mentioned. It appears to be predicated on the staying power of the original. I guess that’s why so many films have been made from Bible stories or Greek mythology. (How many times are they going to remake “Clash of the Titans”?)
I’ll admit, being original is very difficult. Even John Williams, composer of film scores for movies like “Star Wars”, “ET”, “Schindler’s List”, and “Superman”, has been criticized for being derivative. But truly innovative composers are like rare gems. That’s why people remember names like Mozart, Beethoven, and Liszt. Even Johannes Brahms “lifted” a bit of Haydn’s original work, but he did it with authenticity. His “Variations on a Theme” is actually pretty inventive and full of surprises. (Well, there I go linking to Youtube).
I guess you don’t have to be original all the time. You do have to be genuine, and people will always be able to tell when you’re trying to be someone or something you’re not. But like wearing a mask at Carnivàle, or doing cosplay at a convention, or whatever at Burning Man, you can make it your own.
Photo by Kristina Reed/Flickr.com